Stephen Thompson

Like a lot of creatively restless high-schoolers in the late '70s and early '80s, Ben Stiller was in a band — in this case, a weird and funky post-punk band called Capital Punishment. Now that Stiller is a movie and TV star, Capital Punishment's one and only album, 1982's Roadkill, is getting its first-ever major reissue on Sept. 14.

Luluc's Zoë Randell and Steve Hassett have now made three sweetly comforting albums together, filling each with frequently Nick Drake-ian folk music that's both disarmingly simple and, when called for, dreamily ornate. But Sculptor, the Australians' self-produced follow-up to 2014's wonderful Passerby, also broadens Luluc's palette and subject matter in rewarding ways.

The Milk Carton Kids' Joey Ryan and Kenneth Pattengale have long drawn influence from the rich vocal harmonies of Simon & Garfunkel, the intricately twinned acoustic guitars of Gillian Welch and David Rawlings and, in concert, the deadpan/goofy banter of

For Saintseneca, fatalistic gloom blends seamlessly with a kind of playful sprightliness: Zac Little's songs often simmer in a sad swirl of death and esoterica, but his deadpan ruminations are buoyed by the sounds of exotic instruments, candy-colored pop hooks and many points in between.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

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